ARTISTIC INNOVATION AMONG CHINESE FIGURATIVE EXPRESSIONISTS: THE ROLE OF MOTIVATION, CULTURE, AND EMOTION

Main Article Content

ShiFeng He
Adzrool Idzwan Bin Ismail

Abstract

Despite the global prominence of Chinese figurative expressionism, the psychological and cultural factors underlying artistic innovation in this genre remain underexplored. This study investigates how intrinsic Motivation, creative Climate, cultural Identity, and openness to Experience influence artistic innovation among Chinese figurative expressionist painters, with emotional Engagement and artistic Flow as mediators. Using a cross-sectional survey, data from 312 Chinese artists were analyzed with Partial Least Squares Structural Equation Modelling. Results show that intrinsic Motivation significantly predicts emotional Engagement (p < 0.001), artistic Flow (p = 0.007), and innovation (p = 0.002). Creative Climate significantly influences emotional Engagement (p = 0.005) and artistic Flow (p < 0.001) but shows a marginal direct effect on innovation (p = 0.054). Cultural Identity significantly predicts emotional Engagement (p = 0.037) and innovation (p = 0.003) but not Flow (p = 0.324). Openness to Experience significantly predicts emotional Engagement (p = 0.028), Flow (p < 0.001), and innovation (p = 0.017). Emotional Engagement (p = 0.002) and artistic Flow (p = 0.001) directly enhance innovation. Mediation analyses reveal that emotional Engagement mediates the effects of intrinsic Motivation (p = 0.014), creative Climate (p = 0.046), and cultural Identity (p = 0.047) on innovation. Artistic Flow mediates the effects of creative Climate (p = 0.010) and openness to Experience (p = 0.013) on innovation. These findings highlight the roles of psychological traits, socio-cultural context, and affective states in fostering innovation among Chinese painters and provide a framework for enhancing creativity through intrinsic and contextual factors.


JEL Classification Codes: C12, C20, C31.

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Article Details

Section

Research Paper/Theoretical Paper/Review Paper/Short Communication Paper

Author Biographies

ShiFeng He , PHD Candidate, School of Creative Industry Management & Performing Arts, Universiti Utara Malaysia, Sintok, Kedah, Malaysia

Shi Feng He is a full-time doctoral candidate at Universiti Utara Malaysia, where he is pursuing a Doctor of Creative Industry Management and Performance. A native of China, he obtained his Master’s degree from Northeast Normal University in 2020 and his Bachelor's degree from the Same University in 2013. His current research focuses on the study of artistic creativity, especially the cultivation of artistic creativity, the assessment of artistic creativity, the development of artistic creativity scales, and the elements influencing painting creativity in the context of China aims to provide valuable references for students majoring in art and young artists, and to offer new ideas for art education.

Adzrool Idzwan Bin Ismail , Associate Prof, School of Creative Industry Management & Performing Arts, Universiti Utara Malaysia, Sintok, Kedah, Malaysia

Adzrool Idzwan bin Ismail is currently dean of creative industry management and perform school, Universiti Utara Malaysia. His research areas cover media, culture and society (including communication, audience and cultural identity, gender, children and the aged), design studies, and social cultural. His area of expertise include photography and visual communication, art and design, culture and heritage, creative industry and ethnographic studies.

How to Cite

He , S. ., & Ismail , A. I. B. . (2025). ARTISTIC INNOVATION AMONG CHINESE FIGURATIVE EXPRESSIONISTS: THE ROLE OF MOTIVATION, CULTURE, AND EMOTION. Bangladesh Journal of Multidisciplinary Scientific Research, 10(5), 20-33. https://doi.org/10.46281/wxvdrh39

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